Nicolás Lell Benavides, Composer
Photography by Samantha Godoy

Nicolás Lell Benavides
2025 - 2026 COMPOSER-IN-RESIDENCE

Nicolás Lell Benavides’ music has been praised for being “resourceful and wonderfully eclectic” (Joshua Kosman, On a Pacific Aisle) and “dramatically tight and musically transporting” (SF Chronicle). He is a 2024-25 Guggenheim Fellow and has received commissions from groups like The New York Philharmonic/The Juilliard School, the LA Philharmonic with Gustavo Dudamel, Eighth Blackbird, New Century Chamber Orchestra with Daniel Hope, SFCM Orchestra with Edwin Outwater, West Edge Opera, Washington National Opera, The Glimmerglass Festival, Music of Remembrance, Left Coast Chamber Ensemble, Fry Street Quartet, Friction Quartet, Brightwork newmusic, and Khemia Ensemble. His music has received support from organizations such as the American Composers Forum, The Barlow Endowment, New Music USA, Opera America, the Alice M. Ditson Fund, and the National Endowment for the Arts.

Nicolás’ Guggenheim Fellowship will allow him to focus on upcoming projects including his Barlow Foundation commission for Eighth Blackbird, a new song cycle to premiere with the LA Phil based on Neruda’s poetry (Sueño en mi sueño) for oboist Anne Marie Gabriele and tenor Joshua Blue commissioned by Elizabeth and Justus Schlichting, and his opera Dolores. His opera about civil rights icon Dolores Huerta, commissioned by West Edge Opera, will also premiere with San Diego Opera, The BroadStage, and Opera Southwest beginning in 2025. Dolores, with libretto by Marella Martin Koch, tells the story of a pivotal moment in civil and labor rights when the Dolores Huerta, César Chávez, and Larry Itliong coordinated the United Farm Workers to fight for Senator Bobby Kennedy be elected president to help with the Delano Grape Strike and Boycott. He is also developing an opera called Caravana de mujeres with librettist Laura Barati as part of MassOpera’s New Opera Workshop, which was a featured performance at Opera America’s New Works Forum.

He recently premiered Querencia with the New York Philharmonic and The Juilliard School Pre-College program, with support from the American Composers Forum as part of Composing Inclusion. He was a fellow at the Eighth Blackbird Creative Lab and the Gabriela Lena Frank Creative Academy of Music, where he was part of the Composing Earth initiative. Nicolás was the first ever Young Artist Composer in Residence at The Glimmerglass Festival and has been a fellow at the Del Mar International Composers Symposium. His music has been heard all over the United States, including in Carnegie Hall’s Weill Recital Hall, and as part of the California Festival with New Century Chamber Orchestra and The San Francisco Girls Chorus. He was the first featured composer/conductor with the San Diego Symphony’s Currents Series in the new Jacobs Center.

He premiered a new opera for Washington National Opera called Pepito with librettist Marella Martin Koch. He and Marella also premiered a new opera, Tres minutos, with Music of Remembrance in 2022 with generous support from the National Endowment for the Arts. Other upcoming projects include an upcoming album (Canto Caló) on Aerocade Records with Friction Quartet and mezzo-soprano Melinda Martinez Becker, a new work for Gustavo Dudamel and the LA Phil with filmmaker Alejandro González Iñárritu, and a new song cycle for mezzo-soprano Kelley O’Connor.Nicolás has studied at Santa Clara University, the San Francisco Conservatory of Music, and at the University of Southern California Thornton School of Music.

ABOUT THE COMPOSER-IN-RESIDENCE PROGRAM

The San Francisco Girls Chorus Composer-in-Residence program gives our young singers a chance to learn more about the process of creating new music. Collaborating with modern composers, gives our members access to fresh, contemporary perspectives on the world through music. During the year-long residency, the Composer visits rehearsals, meets with Level Directors, and creates a new work expressly for the Chorus School, engaging each group at their own musical level, reaching out to musical minds spanning a broad age range. As The excellent training of our members gives the composer dynamic possibilities in composing for young girls' voices, finding new and colorful ways to bring this unique instrument into the broader musical life of the San Francisco Bay Area.

Lisa Bielawa
Artistic Director

Composer-vocalist Lisa Bielawa is a 2009 Rome Prize winner in Musical Composition. Born in San Francisco into a musical family, Bielawa played the violin and piano, sang, and wrote music from early childhood. She moved to New York two weeks after receiving her B.A. in Literature in 1990 from Yale University, and became an active participant in New York musical life. She began touring with the Philip Glass Ensemble in 1992, and in 1997 co-founded the MATA Festival, of which she served as Artistic Director until 2006, curating an annual music festival in New York that celebrates young composers from around the world. She also served as composer-in-residence with BMOP from 2006-09, leading talks, creating partnerships, and founding the Score Board, a Boston-based composers collective.

As a choral and small-ensemble vocalist, Bielawa has toured and recorded with the renowned early music group Pomerium, sung in the professional chorus of the New York Philharmonic under the baton of most of the major conductors of our time, and with Paul McCartney at Carnegie Hall. As a solo vocalist she has performed in numerous composer-led projects, including John Zorn'sShir Ha-shirim with Laurie Anderson and Lou Reed, with Toby Twining in multiple appearances of Garrison Keillor's Prairie Home Companion, and in her ongoing role as the vocalist with the Philip Glass Ensemble since 1992.

As a leader of vocal groups, Bielawa is the choirmaster for the current touring production of Philip Glass and Robert Wilson's Einstein on the Beach. She assisted Paul Simon with the development of his Broadway musical Capeman, including the preparation of vocalists and children’s choruses, and she has conducted the UC San Diego choir and chamber singers.

As a composer of choral music, Lisa Bielawa is a winner of the Dale Warland national competition, and the 1998 Morton Gould ASCAP Young Composers Award for her piece Spinning Flax, commissioned by the San Francisco Girls Chorus. Her spring 2013 season includes New York performances of her major choral work Lamentations for a City by Cantori New York, and the world premiere of Such Another Sleep, for the 50-voice Academic Male Voice Choir of Helsinki with the composer as vocal soloist.

In her own music, Lisa Bielawa takes inspiration from literary sources and close artistic collaborations. Lisa Bielawa’s music is frequently performed throughout the US, and in France, Italy, the UK, and Finland. Recent highlights include a performance of Trojan Women at Le Poisson Rouge and a residency at John Zorn’s The Stone, plus world premieres of Hypermelodia at The Rivers School Conservatory, Rondolette by Brooklyn Rider and pianist Bruce Levingston, Double Duet by the Washington Saxophone Quartet, Graffiti dell’amante with the Chicago Chamber Musicians, The Project of Collecting Clouds at Seattle’s Town Hall by cellist Joshua Roman, Double Violin Concerto and In medias res by the Boston Modern Orchestra Project, The Right Weather by American Composers Orchestra and pianist Andrew Armstrong at Carnegie Hall, and The Lay of the Love and Death at Lincoln Center’s Alice Tully Hall.

Bielawa’s work Chance Encounter is a piece comprising songs and arias constructed of speech overheard in transient public spaces, which was premiered by soprano Susan Narucki and The Knights in Lower Manhattan's Seward Park and was later performed at the Whitney Museum, in Vancouver, Venice, and in Rome on the banks of the Tiber River. Bielawa’s latest work for performance in public places is Airfield Broadcasts, a 60-minute work for hundreds of musicians that premiered on the tarmac of the former Tempelhof Airport in Berlin in May 2013 and at Crissy Field in San Francisco in October 2013. Bielawa is currently at work on Vireo: The Spiritual Biography of a Witch's Accuser, a new opera composed on a libretto by Erik Ehn and directed by Charles Otte, which is unprecedented in that it is being created expressly for episodic release via broadcast and online media.

Bielawa’s latest album, The Lay of the Love, was released on Innova in June 2015. Her discography also includes A Handful of World (Tzadik); The Trojan Women on a disc entitledFirst Takes (TROY); Hildegurls: Electric Ordo Virtutum (Innova); The Trojan Women performed by the Miami on The NYFA Collection (Innova); in medias res (BMOP/sound), a double-disc set of Bielawa’s solo and orchestral works; Chance Encounter (Orange Mountain Music); and Elegy-Portrait on pianist Bruce Levingston’s 2011 album, Heart Shadow (Sono Luminus).

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